Showing posts with label Best New Pop. Show all posts
Showing posts with label Best New Pop. Show all posts

Monday, 19 August 2013

Jessie J - Excuse My Rude (feat. Becky G)



Since we constantly watch her drift from style to style, both musically and in image, it sometimes baffles me as to what Jessie J's "thing" is. However, with the release of "Excuse My Rude", an album track from Jessie's upcoming sophomore effort, I'm encouraged by her return to her roots, and to a sound I most associate with her.

It's a sound that dates back to her debut single "Do It Like A Dude" - a dirty rock/soul/hip hop hybrid, which introduced us to a gutsy, tongue-in-cheek, yet slightly crazy singer called Jessie J. Maybe she came across a little try hard, but it was a fun and endearing personality and sound, and it's one that we see rehashed on the similarly brash and direct "Excuse My Rude".

Goofily phrased yet characterful verses unfold over slick Trappy beats, recalling some of the geeky charm and feisty delivery of Jessie's early days. It's unexpected drop into a soulful, lush chorus is a surprising move that Jessie shies away from in most of her other music. The vocal histrionics are shelved, and we hear a rare warm tone to her voice.

It's such a shame to see her new high profile singles -  "It's My Party" and "Wild" - beginning to further mould Jessie's identity as a 'pop diva'. It might please a chart-hungry American market, but it won't please her core fanbase. Mainly because it's not the sound of "Jessie J" - It's the sound of a British Katy Perry.

We can only hope that we see many more songs like "Excuse My Rude", "Do It Like A Dude" and "Who's Laughing Now" on her second record - songs that showcase her personality and, most importantly, her individuality. Otherwise, without the quirkiness and bite that she used to be known for, she's destined to lose all the credibility she earned in her early days as a rising singer/ songwriter.

Wednesday, 17 April 2013

Amelia Lily - Party Over

Every now and again I have to defend a pop song purely on its cheese merit. And "Party Over", the latest single from the not-quite-branded Amelia Lily, has a cheese distinction. DJ Fresh-tastic drum & bass lite, with jolly synth chords, lyrics pulled from a hat, and a yelpy vocal hook that has definitely been nicked from somewhere, but it's actually the best single she's released yet.

"You Bring Me Joy" was, for me, neither here nor there. It was bizarrely quite well received, though how some people managed to compare it to Robyn is beyond me. Maybe another singer could have made it emotional, but 18 year old blank canvas Amelia made it patently obvious that it was a song with 3 notes in it. "Shut Up And Give Me Whatever You Got" (*takes breath*) could well have been the wording to a question she asked Kelly Clarkson's songwriters. The flaccid electro-rock anthem has "whatever you got" written all over it.

In reality, the chirpy, gutsy Amelia is not perhaps as edgy as her management would have us believe. So "Party Over", with its fist-punching anonymity, ends up suiting her the best by a mile. It also sounds like its the most fun she's had since her first X Factor audition.

Whilst the public seem to want her to follow in the footsteps of powerhouse vocalists such as Clarkson and even Aguilera, the fact is, she's much more likely to succeed if she averts her focus to someone like Rita Ora. No pretense, no discernible personality, just the fun-loving face of vacuous party anthems. At 18, she's got plenty of time for the heavy-going stuff later on in her career. Party first, soulsearch later.

FOR FANS OF: Rita Ora, DJ Fresh, Ayah Marar