NEW MUSIC: Marnie - Reckless

Most female solo singers, particularly the British kind, are seemingly afraid of coming across anything less than sultry, mysterious and painfully alternative. And quite honestly they tend to blend together into one self-conscious mess. But then, occasionally, there are singers like London's Marnie who simply command attention and have no desire to fit in with the snooty nosed female crooners of 2014.

Marnie's debut single "Reckless" is an exhilarating drum and bass/pop crossover; her sound is both polished to perfection and simultaneously deliciously rough around the edges. Her young soulful voice both shimmers with emotion and stings like a bee, and the gritty bass drones and breakneck beats add depth what is essentially a perfect rebel-pop song at heart. "I want to run away" she triumphantly and effortlessly declares in the song's chorus, as the song's crushing beats and bass fight mercilessly to keep up.

"Reckless" is available for free download from her SoundCloud page.

FOR FANS OF: Katy B, Ayah Marar



- Joe Copplestone, 19.07.14

GivePopAChance's Summer Playlist 2014!

GivePopAChance is going on a hiatus, but before we go, we'll leave you with our Summer 2014 playlist, featuring our favourite pop and dance tracks of the year so far. 

From balearic nu disco to edgy trap-flecked R&B, glorious summery dancepop to simmering electropop, the playlist showcases what we consider to be the very best summer anthems you'll hear all year, from sunrise to sunset to twilight.

Have a great summer!

- Joe, 17.05.14

NEW MUSIC: The Wild Wild - Alright

Judging by the success of The 1975, us Brits clearly have no problem with 80s pop rock, hair metal or glam rock influences in modern indie, and newcomers The Wild Wild take advantage of this fact wildly. 

"Alright" is an M83 sized chunk of synth-drenched rock melodrama, with sentiment-soaked pads and collosal Killers-sized hooks set to bring a fist pumping singalong to many a student union or drunken festival tent.

The band's eponymous debut EP, The Wild Wild, is out now on iTunes.

FOR FANS OF: The Killers, The 1975, M83

- Joe Copplestone, 7.4.14

NEW MUSIC: Camden Cox - Kinda Like

Since their emergence, AlunaGeorge's silky future garage take on 90s girl group R&B has til now (wisely) not been attempted by any other commercial act. So when the sugary, seductive Aluna-esque vocal of London's Camden Cox purrs out a "You Know You Like It" esque debut single, alarm bells should by all rights be ringing. 

However, Cox pulls it off with a production that is less sheened to perfection than AG, and in a much darker and atmospheric soundspace; a space that features less "na na na"s and more breathless echos and whispered come-ons. For many, myself included, this is the perfect development of AlunaGeorge's sound, and probably a superior take on the genre. 

Cox's Kinda Like EP is out now on iTunes. Dancey b-side "Disguise" is also worth a listen, with it's chopped up vocals and lurching beat impossible not to move to.

FOR FANS OF: AlunaGeorge, BANKS

- Joe Copplestone, 7.5.14

NEW MUSIC: Suvi - Find You

The latest in the long line of impressive female solo artists to hail from Sweden is Stockholm's Suvi, whose debut single "Find You" introduces her fragile but commanding voice. 

Suvi's feathery purrs sail regally over a brass heavy modern trip pop bonanza that her homeland peers MØ and Marlene wouldn't turn their noses up at. With the UK and US success of said singers, surely a 'Diplo x Suvi' collaboration isn't far off?

FOR FANS OF: MØ, Charli XCX, Marlene

- Joe Copplestone, 7.5.14

NEW MUSIC: Tanika - Bad 4 U

For anyone looking for a trashy new pop thrill, look no further than Tanika, and her explosive debut single "Bad 4 U". It bears similarities to Rita Ora's breakthrough single "RIP" in a number of ways, except Tanika takes all the risks that Rita should have when she released her lukewarm debut.

"RIP" revealed nothing more about Rita Ora than her sense of superiority over who she used to be (not especially insightful, but when you've got Jay-Z behind you, you're going to be a star). With "Bad 4 U", Tanika wears her shortcomings openly, and proudly, on her sleeve. Unafraid of treading on toes, Tanika yelps "I'm only gonna fuck with your life, I'm bad for you" on the powerhouse chorus, and her delivery turns a potentially dated dubstep throb into something fresh and exhilarating.

Mixing the youthful charm of Rita Ora, the seductive nastiness of Rihanna and the quirky credibility of Natalia Kills, Tanika might be bad for you, but eventually you won't be able to avoid her.

Her debut EP Fucking With My Heart, is out now on iTunes.

FOR FANS OF: Rita Ora, Rihanna, Natalia Kills

- Joe Copplestone, 30.04.14

NEW MUSIC: Frankmusik - By Nicole (Highlights)

Frankmusik is some kind of modern pop hero, and quite possibly the UK's guiding light for truly independent music. After a year of using social media to share his every move, emotion and frustration during the process of making this album, it would be a bummer if "By Nicole" was anything less than exceptional. Luckily it's more than exceptional.

I'm not here to review the album in detail, but I will tell you it's his most colourful, organic and human sounding effort yet. Whilst still being essentially electropop, live instruments pop up everywhere, weaving a delicate 3-dimensional tapestry that the "Do It In The A.M." Frank would never have considered. Take the lilting guitars on the verses of "Misdemeanor" and "These Streets" - gorgeous. And the double bass/marimba texture on the verses "Go"? Subtle but somehow breathtaking.

"Misdemeanor", "Go" and first single "These Streets" are my album highlights because they are the sound of an artist simultaneously at his artistic and commercial peak. Their big pop choruses could easily stand out on his exceptional debut Complete Me, with a warmth and maturity that Vince wasn't in touch with back when he recorded it. On "Misdemeanor", Frank talks of conquering his fear of getting older at one point, admitting "the future's a place I feel I don't belong", whilst "Go" could well be about the same girl from "Confusion Girl", but this time Vince is wiser, wryly encouraging Ms Confusion to "go and do what your friends say, they didn't like me anyway."

But best of all is "These Streets". It might not seem like an obvious first single, with its subtle, subdued "Black and Gold"-esque pulse, but placed at the very end of a focused, reflective and forward thinking album, it comes across as the perfect curtain call, or perhaps the perfect 'to be continued'. It's a break-up song, like so many of Vince's are, but when he says "strangers pass by where you were once there by my side", he shrugs it off with a sweet "I've got these streets". 

After 7 years of Vince singing mournful tales of 'what if?', and even one unconvincing (yet beautiful) track named "Final Song (To You)", this finally feels like the end of this chapter and the beginning of a new one for Vince, musically and lyrically. And judging by the raw, idea-crammed By Nicole, there is so much more new inspiration in him, growing by the second and bursting to be expressed.

Below is the one take video of "These Streets". It features nothing more than Vince standing under a bridge somewhere in London (on the route of the 152, if you pay attention), but I dare you not to fall slightly in love with this man whilst watching it.

FOR FANS OF: Sam Sparro, Bastille, The 1975

- Joe Copplestone, 28.04.14

NEW MUSIC: Charlie Barclay Webb - Get To Know Me

With his white boy swagger and Frankmusik-esque melodramatic vocal, Charlie Barclay Webb clearly has commercial success on his mind, but when it drives him to hooks and beats this epic and infectious, it's to be applauded and recognized. A grimey dubstep throb and trappy beat contrast CBW's silky tone and impressive range, and the commanding, almost regal chorus of "get to know me" makes it clear we have no choice in the matter. I expect to hear this guy on Radio 1 alarmingly soon.

FOR FANS OF: Alex Clare, Daley, Frankmusik

- Joe Copplestone, 16.04.14

NEW MUSIC: Betty Who - Slow Dancing EP

No sophomore slump here. Betty Who, the 21 year old Aussie synthpop sensation who's currently winning the hearts of all kinds of music fan worldwide, delivers the perfect kind of second EP - everything we loved about the first EP whilst showcasing more sides of Betty herself as well as countless pleasant surprises.

Slow Dancing, if this is at all possible, is more gleefully 80s than The Movement, stepping confidently out of the sharp Robyn mould, and injecting more life and even sex into proceedings. Check out the absurb but brilliant guitar solo in the funky Paula Abdul-meets-Katy-Perry/Soon-to-be-fan-favourite "Alone Again" and the sweet, burbling 80s Soul/R&B of irresistibly beautiful "Lovin' Start", surely perfect for the last dance at every 1980s prom ever.

Despite the slow-mo groove of "Lovin' Start", the EP's Slow Dancing title doesn't quite deliver what it suggests musically (thank god). However, lyrically and emotionally we hear Betty in a more confessional mood. Whilst previous songs like "High Society" and "Somebody Loves You" celebrated life and love, "Heartbreak Dream" laments a broken relationship, despite it's explosive pop exterior, and closer "Silas" is breathtaking and hypnotic; it's muffled guitar arpeggios and fragile, almost choral vocal could almost be mistaken for Daughter.

Yet to produce even one song that is anything less than show stopping, and now nine songs down the road, Betty Who could be well on her way to change the pop music world with one fell, debut album shaped, swoop. If she hasn't already.

FOR FANS OF: Robyn, Katy Perry, CHVRCHES

- Joe Copplestone, 16.04.14

NEW MUSIC: Autowrong - We Are Decay

Something a little 'odd'ictive for you today. Autowrong are from the midlands and that's all they're letting on, but their debut track "We are Decay" shows us a complex mix of electronica, alternative pop and house. A gritty vocal sample dances over foreboding basslines and a steady house beat, before a feathery female vocalist hiccups her way along a stream-of-consciousness vocal line. Unusual but strangely addictive, it's unsure what to expect next from these guys, but whatever it is is bound to be another riveting hybrid of sounds.

Follow Autowrong on SoundCloud below.

FOR FANS OF: Totally Enormous Extinct Dinosaurs, Röyksopp, Bonobo 

- Joe Copplestone, 4.4.14

NEW MUSIC - LIZ - Say U Would

Initially a baffling addition to the Mad Decent rosta when she released the silky but over-produced R&B slow jam "XTC" last year, LIZ is now probably one of the most promising young artists on Diplo's label.

Having made a name for herself by dabbling in an array of 90s R&B stylings, LIZ's "Say U Would" is by far her sexiest and most seductive track since "XTC". Sparse, blissful keys are kept afloat by a jumpy hip hop beat as LIZ speak-sings her way through the 'dear diary' verses, as her harmonious acrobatic voice on the chorus recalls Aaliyah. And to reach this level of comparison so early in her career, when Aaliyah is almost certainly a huge inspiration on LIZ, is quite an achievement.

What's so great about LIZ is that with any other artist, this kind of R&B would sound outright pastiche and the wrong side of novelty in 2014. However, with LIZ, it sounds as fresh as if we were hearing these sounds for the very first time.

You can download "Say U Would", and the rest of her Just Like You EP, for FREE below on SoundCloud. My guess is that this will be her last free release, so snap it up boys and girls.

FOR FANS OF: Janet Jackson, Aaliyah, Mariah Carey

- Joe Copplestone, 4.4.14

NEW MUSIC: Betty Who - Heartbreak Dream

Betty Who's formula for the perfect pop song lies somewhere between the sugary sweet teeny pop of Katy Perry and the bittersweet outsider-anthems of Robyn. But her secret ingredient, what makes her music so uplifting and life affirming, is something neither Katy or Robyn can quite grasp: Actual FAITH in love.

Katy Perry's view of love is 2 dimensional and idealistic. Of course, it has to be; this is stuff marketed at 13 year old girls who just want to hear that love is black and white: you fall in love, it's the best thing ever, and it you break up, it's sad, but you find someone else and all is well again. Robyn's view is much more complex, but definitely borders on cynical. Her songs advise going into every relationship with your past pain fresh in your mind, and are quick to warn that love is nothing if not painful.

Betty Who is 21, 8 years younger than Katy perry and 13 years younger than Robyn, yet she sounds like the only one of the three who sounds like they truly understand love. "Somebody Loves You" was her very own dictionary definition, "All Of You" is about surviving the tough times, and "Heartbreak Dream" is about not surviving them. Peter Thomas's production is utterly heartwrenching and euphoric as always, a glorious cacophony of clattering drums and ricocheting synths, and Betty Who's lyrics, though tragic, are sung triumphantly as if with strength and experience. Most of all, they are sung with the faith that there light at the end of the tunnel. 

And that's what makes Betty the true torch bearer for love in pop music 2014 - Katy ignored the problems, Robyn dwelled on them, but Betty allows them to make her strong. This would be almost unbearably beautiful as a ballad by the way Betty, just saying.

FOR FANS OF: Robyn, Katy Perry, Haim

- Joe Copplestone, 18.02.14

NEW MUSIC: Clean Bandit - Heart On Fire

If any group of music fans could possibly throw any criticism the way of "Rather Be", the spectacularly uplifting piano pop single by Clean Bandit, now in its fourth consecutive week at #1 in the UK charts, then it's the ravers. It was the chirpy All About She garage mix that made it onto many a pre drinking playlist, whilst the tame original stayed good friends with daytime radio.

The group's speedily delivered new single "Heart On Fire" is quick to meet the demands placed heavily upon them. "Heart on Fire" is a garage-tastic Artful Dodger tribute at a tempo not dissimilar to high energy J-pop. The infectious and unadulterated joy running through the track's veins is fast becoming a Clean Bandit speciality, as are the light as a feather keys and distinctive string quartet flourishes. Elisabeth Troy does an admirable job of living up to Jess Glynne's vocal benchmark, delivering a juggernaut chorus that makes "Rather Be" seem like child's play.

FOR FANS OF: Artful Dodger, All About She, Gorgon City

- Joe Copplestone, 18.02.14

NEW MUSIC: Rubee Rayne - Breathe

Rubee Rayne is an anomaly. To look at her tough-nut Brixton image (the girl's from Berkshire btw) you'd picture another Amplify Dot or Ms Dynamite - and there'd be nothing wrong with that. But new single "Breathe" is a pleasant surprise. It's less UK grime, and more US post-R&B, with Rayne's woozy slurred vocals and the lazy ambient synths on "Breathe" (courtesy of quirky UK producer El-Train) coming across like "Take-Care" era Drake. 

Rubee Rayne has 3 hypnotic gems available for free download on her SoundCloud, which you should snap up soon before "Breathe" finds itself A-listed on Radio 1.

FOR FANS OF: Jhene Aiko, Banks, FKA Twigs

- Joe Copplestone, 6.2.14

NEW MUSIC: Clean Bandit ft. Jess Glynne - Rather Be

Clean Bandit are what I call a truly great pop act. They manage to appeal to the trendy crowd with their deep house credibility (the Gorgon City collaboration in particular helped them there) whilst still managing to avoid genres and maintain a level of musical freshness and creativity that lacks in so many modern acts.

"Rather Be" isn't chart-oriented enough to be considered straight up pop and isn't deep and dancey enough to be considered house. If anything it recalls a time in the early 00s, when disco-meets-ibiza chillout was the dancefloor filling sound du jour, and easy going house-lite tunes like Milky's "Just The Way You Are" and DB Boulevard's "Point Of View" were crossing over from the underground to the charts.  However, whilst these decade-old songs lack 'edge' compared to the sharp bass-heavy crossover tunes we hear on the radio in 2014, Clean Bandit manage to bring some energy and back bone to the sound they throw back to. In the process they succeed in combining the best of house in 2004 with the best of house in 2014. 

Their trademark string quartet intro gives way to perky raindrop synths and a life affirming piano house chorus, sung with gusto by Jess Glynne. No doubt it's the remixes that will make it to the clubs (particularly the ultra cool garage take from All About She), but the emotional peak that the original version reaches is definitely the place I'd rather be.

FOR FANS OF: Mausi, Disclosure, Tensnake