GivePopAChance is going on a hiatus, but before we go, we'll leave you with our Summer 2014 playlist, featuring our favourite pop and dance tracks of the year so far.
From balearic nu disco to edgy trap-flecked R&B, glorious summery dancepop to simmering electropop, the playlist showcases what we consider to be the very best summer anthems you'll hear all year, from sunrise to sunset to twilight.
Have a great summer!
- Joe, 17.05.14
A*M*E* - Heartless (MNEK Remix)
#Bass #R&B #Pop
With A*M*E*s bubblegum pop solo material contrasting somewhat with her ultra-cool spot on Duke Dumont's "Need U (100%)", teen prodigy MNEK brings a remix of her latest single that mixes all the sugar sweet melodies and gutsy pop aspirations with a dirty underground bassline and thick garage beats. Dare I say, this will please everyone.
Rudimental - Waiting All Night (Kidnap Kid Remix)
#Garage #2Step #House
Remixing a drum & bass to house is often a recipe for awkwardly-slowed-down-vox disaster. Luckily Kidnap Kid has the right idea when remixing Rudimental's #1 single, cleverly twisting the vox from gutsy and energetic, to sultry and suggestive, letting the jerky stop-start bass do the talking.
The Partysquad - Badman (feat. Alvaro)
#Hardstyle #Reggae #Rave
A revisitation of The Partysquad's incredible "Badman Rave" EP from last year, an insane fusion of reggae, hardstyle and electronic dance. "Badman" itself is a slippery dub number that gives way to a dinosaur stomp of a kick drum and frantic, twanging synth lead.
So the year's first perfect sunny weekend bids a hopeful farewell to a miserable 7 month winter, and as May approaches, festival season begins to rear its defiant head. Visions of cider drenched, Diplo-worshipping, scantily clad music lovers passing out in fields, outside clubs and on stony beaches seem so much closer.
It seems like the perfect time to share a dance-heavy Summer playlist of sure fire hits and lesser known, but equally deserved ones, that you can expect to be on heavy rotation throughout the summer. If GivePopAChance had its own radio station, you would indeed expect these tracks to be A-listed until October.
The return of Daft Punk is perfectly timed, and sets the tone worldwide for a summer of chilling out, partying and getting lucky. In the UK, Duke Dumont led the 2012/13 House revival to the the top of the charts a couple of weeks ago, and Basement Jaxx's crazy comeback tune is a defiant "anything goes" statement.
If anything really does go this year in dance music, hopefully DJ Snake's bizarre tweet-trap (quite literally) number "Bird Machine" will make its way to your confused but welcoming ears, and if that's too way out, Major Lazer is bringing Jamaica back through the medium of crushing dancehall beats and hyperactive synths.
Watch out for Moon Boots, whose soulful, irresistibly funky 80s take on the new wave of House music has sported two of the years most effective, sun-kissed remixes. They morph Singer/songwriter Alison Valentine's "Peanut Butter" into something altogether more blissful and euphoric, and their take on Bondax's "Gold" drags the track back to 1991, where it clearly belongs. Miaoux Miaoux's glorious, synth-laden take on CHVRCHES' "The Mother We Share" occupies similar airspace, so bright and grin-inducing it's almost impossible to look directly at.
After the huge,anthemic electronic dance of Swedish House Mafia and Madeon dominated dancefloors and dance festivals last year, 2013 has its fair share of big dance tunes. After his godly, life-affirming "Language", Porter Robinson teams up with Mat Zo, to bring something just as breathtaking for 2013, in the form of "Easy", Kat Krazy comes down hard on Bastille's hit indie single "Pompeii", transforming it into this year's "Don't You Worry Child", and Russ Chimes' stunning "Turn Me Out" is fist pumping, Balearic heaven.
Also queued up is the D&B anthem of the summer, Drumsound & Bassline Smith's "One in A Million", the dark Gold Panda-produced electro of goth-flecked starlet Charli XCX's "You (Ha Ha Ha)", the similarly quirky and groove-laden vibes of Flume's "Sleepless", the drunken, woozy beats of the UK hip hop tune of the summer, Dream McLean's "Sloe Gin" and perhaps the sunniest of them all, Mausi's carefree piano house ditty "Move", graduating straight from the 2003 school of blissed-out house.
Whatever the weather, dance music in 2013 seems to have one defiant goal, to have fun, not take itself too seriously, and to party harder than ever. And judging by the gradual lean towards dance music that the Top 40 is beginning to show, looks like we're all on the same page.
