NEW MUSIC: Marnie - Reckless

Most female solo singers, particularly the British kind, are seemingly afraid of coming across anything less than sultry, mysterious and painfully alternative. And quite honestly they tend to blend together into one self-conscious mess. But then, occasionally, there are singers like London's Marnie who simply command attention and have no desire to fit in with the snooty nosed female crooners of 2014.

Marnie's debut single "Reckless" is an exhilarating drum and bass/pop crossover; her sound is both polished to perfection and simultaneously deliciously rough around the edges. Her young soulful voice both shimmers with emotion and stings like a bee, and the gritty bass drones and breakneck beats add depth what is essentially a perfect rebel-pop song at heart. "I want to run away" she triumphantly and effortlessly declares in the song's chorus, as the song's crushing beats and bass fight mercilessly to keep up.

"Reckless" is available for free download from her SoundCloud page.

FOR FANS OF: Katy B, Ayah Marar



- Joe Copplestone, 19.07.14

GivePopAChance's Summer Playlist 2014!

GivePopAChance is going on a hiatus, but before we go, we'll leave you with our Summer 2014 playlist, featuring our favourite pop and dance tracks of the year so far. 

From balearic nu disco to edgy trap-flecked R&B, glorious summery dancepop to simmering electropop, the playlist showcases what we consider to be the very best summer anthems you'll hear all year, from sunrise to sunset to twilight.

Have a great summer!

- Joe, 17.05.14

NEW MUSIC: The Wild Wild - Alright

Judging by the success of The 1975, us Brits clearly have no problem with 80s pop rock, hair metal or glam rock influences in modern indie, and newcomers The Wild Wild take advantage of this fact wildly. 

"Alright" is an M83 sized chunk of synth-drenched rock melodrama, with sentiment-soaked pads and collosal Killers-sized hooks set to bring a fist pumping singalong to many a student union or drunken festival tent.

The band's eponymous debut EP, The Wild Wild, is out now on iTunes.

FOR FANS OF: The Killers, The 1975, M83

- Joe Copplestone, 7.4.14

NEW MUSIC: Camden Cox - Kinda Like

Since their emergence, AlunaGeorge's silky future garage take on 90s girl group R&B has til now (wisely) not been attempted by any other commercial act. So when the sugary, seductive Aluna-esque vocal of London's Camden Cox purrs out a "You Know You Like It" esque debut single, alarm bells should by all rights be ringing. 

However, Cox pulls it off with a production that is less sheened to perfection than AG, and in a much darker and atmospheric soundspace; a space that features less "na na na"s and more breathless echos and whispered come-ons. For many, myself included, this is the perfect development of AlunaGeorge's sound, and probably a superior take on the genre. 

Cox's Kinda Like EP is out now on iTunes. Dancey b-side "Disguise" is also worth a listen, with it's chopped up vocals and lurching beat impossible not to move to.

FOR FANS OF: AlunaGeorge, BANKS

- Joe Copplestone, 7.5.14

NEW MUSIC: Suvi - Find You

The latest in the long line of impressive female solo artists to hail from Sweden is Stockholm's Suvi, whose debut single "Find You" introduces her fragile but commanding voice. 

Suvi's feathery purrs sail regally over a brass heavy modern trip pop bonanza that her homeland peers MØ and Marlene wouldn't turn their noses up at. With the UK and US success of said singers, surely a 'Diplo x Suvi' collaboration isn't far off?

FOR FANS OF: MØ, Charli XCX, Marlene

- Joe Copplestone, 7.5.14

NEW MUSIC: Tanika - Bad 4 U

For anyone looking for a trashy new pop thrill, look no further than Tanika, and her explosive debut single "Bad 4 U". It bears similarities to Rita Ora's breakthrough single "RIP" in a number of ways, except Tanika takes all the risks that Rita should have when she released her lukewarm debut.

"RIP" revealed nothing more about Rita Ora than her sense of superiority over who she used to be (not especially insightful, but when you've got Jay-Z behind you, you're going to be a star). With "Bad 4 U", Tanika wears her shortcomings openly, and proudly, on her sleeve. Unafraid of treading on toes, Tanika yelps "I'm only gonna fuck with your life, I'm bad for you" on the powerhouse chorus, and her delivery turns a potentially dated dubstep throb into something fresh and exhilarating.

Mixing the youthful charm of Rita Ora, the seductive nastiness of Rihanna and the quirky credibility of Natalia Kills, Tanika might be bad for you, but eventually you won't be able to avoid her.

Her debut EP Fucking With My Heart, is out now on iTunes.

FOR FANS OF: Rita Ora, Rihanna, Natalia Kills

- Joe Copplestone, 30.04.14

NEW MUSIC: Frankmusik - By Nicole (Highlights)

Frankmusik is some kind of modern pop hero, and quite possibly the UK's guiding light for truly independent music. After a year of using social media to share his every move, emotion and frustration during the process of making this album, it would be a bummer if "By Nicole" was anything less than exceptional. Luckily it's more than exceptional.

I'm not here to review the album in detail, but I will tell you it's his most colourful, organic and human sounding effort yet. Whilst still being essentially electropop, live instruments pop up everywhere, weaving a delicate 3-dimensional tapestry that the "Do It In The A.M." Frank would never have considered. Take the lilting guitars on the verses of "Misdemeanor" and "These Streets" - gorgeous. And the double bass/marimba texture on the verses "Go"? Subtle but somehow breathtaking.

"Misdemeanor", "Go" and first single "These Streets" are my album highlights because they are the sound of an artist simultaneously at his artistic and commercial peak. Their big pop choruses could easily stand out on his exceptional debut Complete Me, with a warmth and maturity that Vince wasn't in touch with back when he recorded it. On "Misdemeanor", Frank talks of conquering his fear of getting older at one point, admitting "the future's a place I feel I don't belong", whilst "Go" could well be about the same girl from "Confusion Girl", but this time Vince is wiser, wryly encouraging Ms Confusion to "go and do what your friends say, they didn't like me anyway."

But best of all is "These Streets". It might not seem like an obvious first single, with its subtle, subdued "Black and Gold"-esque pulse, but placed at the very end of a focused, reflective and forward thinking album, it comes across as the perfect curtain call, or perhaps the perfect 'to be continued'. It's a break-up song, like so many of Vince's are, but when he says "strangers pass by where you were once there by my side", he shrugs it off with a sweet "I've got these streets". 

After 7 years of Vince singing mournful tales of 'what if?', and even one unconvincing (yet beautiful) track named "Final Song (To You)", this finally feels like the end of this chapter and the beginning of a new one for Vince, musically and lyrically. And judging by the raw, idea-crammed By Nicole, there is so much more new inspiration in him, growing by the second and bursting to be expressed.

Below is the one take video of "These Streets". It features nothing more than Vince standing under a bridge somewhere in London (on the route of the 152, if you pay attention), but I dare you not to fall slightly in love with this man whilst watching it.

FOR FANS OF: Sam Sparro, Bastille, The 1975

- Joe Copplestone, 28.04.14