Showing posts with label X Factor. Show all posts
Showing posts with label X Factor. Show all posts

Thursday, 7 November 2013

#JoeCopplestoneMeets... Laura White! The RE-Introduction.


Laura White, the spectacularly voiced, crazy-haired Manc lass from the 2008 run of X Factor, has emerged triumphant after 4 years out of the spotlight with her debut EP What My Mother Taught Me. The EP has received an unprecedented amount of acclaim from critics and fans, with its raw soul edge and emotional but catchy song-writing allowing Laura’s spectacular powerhouse voice to shine beyond anyone’s expectations. And that voice is effortless, breathtaking and characterful, even better than we remember it.

I met up with Laura to chat about her new EP, how her X Factor experience shaped her, and to find out why it's been a whopping 4 years since her debut single “You Should Have Known” in an industry that waits for no man. What exactly took her this long to return?

“The last 4 or 5 years I've really been focusing as a writer”, Laura tells me with a beaming pink lipped smile that makes you fall in love with her instantly, “I've been crafting what I wanted to eventually release myself, as well as writing for other artists. The debut EP that’s out now was only written over the last year, but as a writer you have to write for years before you know what you want to release yourself. I traveled to Denmark and America and really studied the art of songwriting.”

After Laura was unceremoniously booted out of X Factor 2008 in its fifth week (a week notorious for shocking exits on the show), she returned in 2009 with a disappointingly mediocre single “You Should Have Known” and then dropped off the radar.

The infectiously positive Laura sees it all as a learning curve. “I'll be honest, my fans, who are so beautiful, were begging me to release something. At that point I had a writing team around me, and they were the ones who wrote “You Should Have Known”, so I'm not as passionate about it anymore. I write everything myself now, and I feel like these days I'm being much more true to myself. But I AM proud of the song - it reached #14 on iTunes!” For someone with such breathtaking talent, she's endearingly down to earth.

Being true to yourself is something most X Factor alumni don’t really get to indulge in. Yet the emotionally powerful and raw What My Mother Taught Me EP sounds like an introduction to Laura White as an artist with a vision, as opposed to just a singer.

“I've been really lucky in that I've been a writer for years", explains Laura, "Along the way I've met with so many different writers and producers including some amazing names; I've been to Denmark to work with Cutfather, and worked with Steve Booker who wrote "Mercy" for Duffy. The producer on What My Mother Taught Me was a guy called Guy Robin, and he's a very new and modern producer, and that was really important to me - getting someone to create a fresh and new sound that I'd never had before."

“Because my sound is so specific, some producers couldn't really capture this sound, but Guy completely ‘got’ my sound immediately, and the very first song we wrote together was "Rush Hour", which made the EP. He's got a very American sound which I love.”

This “American” sound is one that runs noticeably through the veins of explosive Motown throwbacks “Come On Josephine” and “Rush Hour”, the steamy soul of “Jimi Hendrix”, right down to the classic soul vibes of heartbreaking “To Be Loved” (a timeless ballad in the making), so Laura’s main influences come as no surprise.

“Aretha Franklin has been my idol since I was tiny", Laura gushes enthusiastically, "and I love a lot of Jazz singers such as Billie Holiday and Ella Fitzgerald. I also remember hearing "Heatwave" by Martha Reeves in a coffee shop whilst I was making the EP, and the day after I went and said "I want to create a pop sound, but keep it soulful and Aretha-ish", and that was the day we wrote "Rush Hour."

It’s clear that Laura has infinitely more creative control over her music than she did when her X Factor run was fresh. Although I am not keen to dwell too much on her X Factor days, Laura seems surprisingly grateful for the experience.

“Before I did the show, I was doing so much music, and a lot of people say I didn't need to do X Factor, that I could've got out there and done it anyway. But before X Factor, I'd spent six years just gigging and travelling, desperate to get heard, and when I went on the show it gave me a really big platform and a massive fan base  I was really lucky on the show because they trusted what I was doing musically and allowed me to pick the songs I wanted to perform, and I look back and I'm proud of every performance.”

Laura was especially fond of her old mentor Cheryl Cole: “Cheryl was a down to earth girl, and musically she understood that I knew what I wanted to do. She'd say "Laura, what do you feel this week?" She really looked after me, and understood how shy I was and how I'd gone from singing to about five people in Jazz bars to about 18 million on live television! She was really helpful. I think it would have been harder with someone like Simon who's so busy!”

Despite her positive account, it’s safe to still say Laura was very lucky. As a fully formed artist, all she really needed from the X Factor was the exposure. It’s no secret that those who go into the X Factor for more than just exposure as musicians are destined to fail, and no one knows that better than the industry-savvy Laura.

“I'd say you really need to know yourself before you go in; be very strong minded but also remain humble. It's so easy to get carried away with it all, but you've got to remember you're doing it because you want to make music. Music to me is everything, so I think music should always remain the main thing rather than anything else.”

“After the show, for a while I just wanted space, to go away for a bit, a few years to write on my own, to tour, make music. I turned down a lot of TV and celebrity things, because I wanted to establish myself for the music rather than doing all that. I didn't want to sell my soul! If I'd done that I think I would've lost everything I am.”

As far as what’s next for Laura is concerned, jumping into releasing an album isn’t high on her agenda – she’s more concerned about giving something back to the fans that have stuck by her through 4 years of musical soul searching.

“I’m going to probably release another EP first”, she says when quizzed about a debut album, “I want to just release a few things for my fans, as they've so stuck by me. Though when there is an album, we had this idea of a double album – the first album very much like “Come On Josephine” and the other more stripped down, with loads of instruments - just beautiful!”

Laura definitely has the same warmth and glow as she did 5 years ago, but unlike the shy, quiet girl we saw on the X Factor all those years ago, Laura now comes across as chatty, friendly and infectiously positive. There are times when talking about her beginnings that one would expect her to make a negative comment, but she is surprisingly and humbly grateful for her X Factor experience. There's no bad blood here - she hasn't got a single bad word to say about it. Or anything for that matter.

Laura White's debut EP, What My Mother Taught Me, is out on November 10th on iTunes. For those that missed her Ronnie Scott's performance on the 29th October, you've got a chance to catch her at The Social in London on Monday 18th November. Buy tickets here.

Listen to "Come On Josephine" from What My Mother Taught Me below.



- Joe Copplestone, 7/11/13
@GivePopAChance

Friday, 18 October 2013

#GiveXFactorAChance: If Joe Copplestone was mentoring "Love and Heartache" week...


It's "Love and Heartbreak" week this week. A total cop-out week if you ask me, surely resulting in a nauseating stream of power ballads, tearful "personal" confessions and subsequent standing ovations from judges. However, such a broad spectrum surely makes it easy to choose the right songs - belty for belters, romantic for the crooners, and adorable for the young'uns. However, there's absolutely scope to pick a disastrous song too. 

So judges, if you're reading, I'm throwing you a lifeline. Here are the songs you need to make sure your acts break a few hearts. You're welcome.



LOUIS WALSH
The odds of Louis going down a tasteful route with this theme are laughable, but his boys could definitely do with a bit of stripped down singer/songwriter credibility this week.





LUKE FRIEND
Ed Sheeran - "U.N.I"
After singing a song totally beyond his emotional understanding last week, Ed Sheeran's university breakup song could allow Luke to tap into emotions much more relevant to his age group. Sadly, the odds of Louis having even heard this song are slim to none.

NICHOLAS MCDONALD
Keane - "Somewhere Only We Know"
Since Nicky is destined to be a mini-crooner with or without Louis, and I think this watery, inoffensive indie anthem would to be a good song to show off his range and keep him on the right side of cheesy.

SAM CALLAHAN
Coldplay - "The Scientist"
This could allow Sam to go back to basics after the shaky, over-energetic performance last week. Singing standing still with a guitar would allow him to concentrate on his vocal, a much needed endevour, and even flex his falsetto muscle. How well he'd do would remain to be seen, but it's a gorgeous song that surely no half decent singer could screw up.



SHARON OSBOURNE
After having two acts in the bottom two last week, Sharon could do with some sure fire vote-winning performances. But her two acts are in very different places, needing very different approaches...





SAM BAILEY
Roberta Flack - "The First Time Ever I Saw Your Face"
Just the idea of Sam singing this is breathtaking. To hear her try something a little less dramatic and more heartbreaking would also allow her to show us not just her physical range but her emotional range, which has yet to really be stretched any further out than "melodramatic".

SHELLEY SMITH
Beyonce - "Love On Top"
After 2 very serious performances last week leaving voters a bit uninterested, Shelley doing an uptempo, modern and fun song like "Love On Top" could remind us of the theatrics and personality that set her aside from being just-another-Over. I'm pretty sure her odds of surviving another flashvote are pretty much zero.




GARY BARLOW
Choosing love songs for groups can end up terribly sappy and often dull, so it's time for Gary to get creative to save his acts.







KINGSLAND
One Direction - "Little Things"
I assure you I am not a fan of this song. BUT, I think it's time Kingsland showed off a little bit of boyband diversity. If they can pull of a shitty sitting on stools ballad, they can pull off anything. Plus the 1D fan votes would definitely save them from a tricky week for them.

MISS DYNAMIX
Beyonce - "Irreplaceable"
After their anonymity last week, the girls could do with a song that allows them to display a little swagger in their heartbreak rather than a ballad that drowns them.

ROUGH COPY
Justin Timberlake - "My Love"
Allowing the boys to be sexy rather than big babies for once would be refreshing. They could definitely get hearts racing with the right routine for this.


NICOLE SCHERZINGER
Traditionally, any theme involving "Love" is easy for the Girls catagory, as they can just play the vulnerability card. Nicole's pretty much got this in the bag, but I have some interesting choices nonetheless... 





ABI ALTON
The xx - "Angels"
This would be a huge risk, but if Abi could pull off a haunting piano version of this, she would increase her credibility three-fold.

HANNAH BARRETT
Rihanna - "Stay"

A safe choice, but one that will allow Hannah to play up to her sob story (any one of them!) as well as lend her deep, husky voice to a song that Rihanna herself sings so nasally.

TAMERA FOSTER
Drake - "Marvin's Room" (JoJo Version)
This would be seriously cool, but a definite no-go - JoJo has a potty mouth. I still feel I know nothing about this girl, so this is a song I feel would play well with her image and allow her to show off a vulnerable side. She has support for some reason, so I figure she doesn't need a belter.

- Joe Copplestone, 18/10/13

@JoeCopplestone

Tuesday, 15 October 2013

Give X Factor A Chance - Live Shows 1















As of today, GivePopAChance! will be giving you our take on the week to week triumphs and tragedies of the UK X Factor's live shows. We'll be sharing our thoughts on the performances, judges' comments, the winners and losers each week and finally offering up a weekly ranking of all the contestants from Win to Bin.

Despite somewhat mediocre 2013 Auditions, Boot Camp suddenly showed an inundation of talent out of the blue that hadn't been represented in the first stages. But cut forward to the first week of live shows, and we're missing the stunning voices of Paul Akister, Ryan Mathie, and Zoe Devlin, and instead watching the foundation-lathered faces of Sam Callahan and Luke Friend grinning at us as each week. So basically, business as usual at X Factor headquarters. 

Saying that, with the stunning pipes of the Over-25s and a couple of way-above-par boybands overshadowing the surprisingly weak boys and girls, this year boasts no clear front-runner. However, despite this promise, the opening live weekend of X Factor UK 2013 gets off to a shaky start.


- SATURDAY NIGHT - 

The judges dress weirdly for a start, Sharon and Nicole looking like curtains and Gary looking like a sad divorced man on the pull without a tie, and they end up bring more cringe-factor than the contestants. Sharon is overbearing and excruciatingly camp, Gary still has the appeal of a wet fish and Louis is as clueless as ever. Caroline Flack hosting a painful backstage segment doesn't help matters (probably to get her cougar-claws into Sam C and Kingsland). 

Nicole's melodramatic and inappropriate comments luckily still provide some entertainment, and despite their total inability to give decent feedback to contestants, Sharon and Louis' friendship is strangely heartwarming, and even amusing. Thank God for Dermot though, whose subtle digs at the judges and the programme itself keep proceedings at least slightly grounded.

An X Factor 80s Night surely sends a collective groan across the UK, suggesting predictable choices from Louis and Sharon, at least a dozen songs you wish would just stay in the 80s, and tough weeks for some contestants whilst totally suited for others. However, as the night progressed, some of our favourites let us down, and those we'd written off re-introduced themselves in a brand new light. Read what Joe Copplestone thought of the contestants below, with marks out of ten for song choice, vocal and performance.


HANNAH BARRETT
Hannah played it safe
Hannah is X Factor producer's dream contestant - a constant crier with a sob story but an upbeat nature, who we're constantly reminded is only 16. The girl's likable and talented, but never struck me as anything particularly special. However, on 80s night, there's no denying a deep, husky, black voice like hers is ideal. Tina Turner's "What's Love Got To Do With it" is a safe choice, perfectly in Hannah's range; she knows it and Nicole knows it. So although she performs pitch perfectly and confidently, I don't really know anything more about Hannah's capabilities than I did before.
SONG CHOICE - 8
VOCAL - 8
PERFORMANCE -  6


NICHOLAS MCDONALD
Nicholas didn't pull it off
Nicholas was adorable early on, but in week 1, singing a song written 12 years before his birth, his lack of experience is glaringly obvious. Louis tops himself with an appalling song choice, which is ruined further by a dreadful production. A token big note shows off the potential in Nicholas' voice, but otherwise, Spandau Ballet's silky ballad "True" doesn't work for him at all, trying to force a crooner out of a quiet teenage boy. Don't even get me started on the 80s prom night car crash going on around him. God help the boys with Louis at the helm.
SONG CHOICE 3
VOCAL - 6
PERFORMANCE -  3



MISS DYNAMIX
**GIVEPOPACHANCE'S BOTTOM TWO**
Ms D. lacked personality
The token chucked-together band of 2013 have got 'Kicked out week 3' written all over them. The producers seem to have decided to uncomfortably manipulate one of the member's pregnancies into a sort of anti-sob story, and then chuck her into a high octane performance of "Jump". Awkward. The performance itself isn't great. Pre-recorded backing vocals drown out the girls and any personality in their voices. There is little difference between this version and Girls Aloud's version, except GA's cover probably has more character. Nicole's comments about the 'Glee Factor' were bang on. 
SONG CHOICE 3
VOCAL - 4
PERFORMANCE -  5


SAM BAILEY
**PERFORMANCE OF THE WEEK**
Sam stunned the judges
There's no doubt Sam Bailey is incredible. She looks gorgeous with her make-over, has a totally humble nature and could sing the phone book to a standing ovation. Robbie Williams' observation that she has little commercial appeal is sadly accurate, but for now it's just a joy to hear her sing. Even Sharon couldn't balls this up, and gives Sam the perfect song to show us what she can do. Performing after 3 artists with all the usual X Factor minimum requirements -potential, youth, back story, blah blah blah - Sam's "The Power Of Love" eclipses them all with just a vocal. One of the best X Factor performances in memory. 
SONG CHOICE 10
VOCAL - 10
PERFORMANCE -  10


SAM CALLAHAN
Sam's voice was strained
Sam Callahan's position in the final 12 shows just how far a baby face and good arms will you in a singing competition. However, his first live performance stands out as distinctly below-par, and it might be time to pull out a different kind of big guns. To his credit, he does a pretty good Bryan Adams impression, and has clearly worked hard to pull off singing "Summer of '69" whilst bouncing around the stage, but his voice is strained and shaky. His fan base in the audience also seems to be limited to a group of about ten screaming girls at the front - maybe he hasn't got the female support that the X Factor producers think he has.
SONG CHOICE 6
VOCAL - 4
PERFORMANCE -  7


KINGSLAND
Kingsland played to their strengths
There's great chemistry between the Kingsland boys, and the group have chosen great songs for themselves so far. Saying this, one wrong song choice could crush them. So it's probably wise that the boys sing the energetic, crowd friendly and vocally undemanding "I'm Your Man". It's a safe song choice, and the boys' laddish chemistry, probably their biggest strength, allows them to pull it off. 
SONG CHOICE 7
VOCAL - 6
PERFORMANCE -  7



SHELLEY SMITH
Shelley played it straight
Only Sharon would've put Shelley Smith through. I'm glad she did, because regardless of her X Factor success Shelley has a career ahead of her as an entertainer. Which is why I was apprehensive at the prospect of "Serious Shelley". There is no serious Shelley - she's got 'Cabaret' and 'West End' written all over her - so by taming her fun side, this wasn't as entertaining as it could've been. It perhaps even damaged the power of what could've been a great vocal. As it was, Shelley, the least anonymous performer in the world, came off a little cruise ship. Off on a tangent  how long do you think Louis' been sitting on "Shelley, you gave it some welly"?
SONG CHOICE - 7
VOCAL - 7
PERFORMANCE -  6

ABI ALTON
Abi was a revelation
I didn't 'get' Abi before Saturday night. To me, her voice was the vocal equivalent of a leaf falling off a tree. "She's sweet", I thought, "but we already have Birdy". However, Abi's performance of "Living On A Prayer" was a revelation. Her voice broke out of its shell, and I finally saw a glimpse of what everyone else saw. Even the bum notes, previously uncomfortable, now sounded human. Maybe it was the ambitious song choice, maybe it was the pressure of live shows, but Abi showed us something interesting I'd not seen before from her - some real passion.
SONG CHOICE - 9
VOCAL - 7
PERFORMANCE -  9



LORNA SIMPSON
Lorna wasn't pitch perfect
Lorna described herself as an underdog in the competition, and although it's a bold claim to make about oneself, with Lorna, its totally accurate - spectacular vocals, anonymous persona. Taking on Whitney Houston was perhaps slightly over-zealous of Lorna - slightly shaky beginnings did lead to some incredible upper range flourishes, but pitching wasn't as perfect as it needed to be for a song this size. On a tanjent, I still think she looks like Rachel Adedeji's bigger sister, although no one agrees with me.
SONG CHOICE - 9
VOCAL - 7
PERFORMANCE -  8



TAMERA FOSTER
Tamera failed to impress
Until the final 12 was announced, I honestly thought Tamera was one of Miss Dynamix. "Ain't Nobody" seems like a safe choice, but her voice is still slightly shaky. I personally just don't get what makes Tamera special. I remember her forgetting the words to "I Have Nothing" and screeching like a cat straining to hit high notes, and here there's no screeching but there's no soul or fireworks either. Someone enlighten me?
SONG CHOICE 6
VOCAL - 5
PERFORMANCE -  6




LUKE FRIEND
**GIVEPOPACHANCE'S BOTTOM TWO**
Luke was out of his depth
Unwashed hair will get you through to the final 12 of the X Factor guys, you've seen it here first. Luke seems like a great kid an' all, but for a song as dark and emotional as "Every Breath You Take", 17 year old Luke is way out of his depth. He didn't butcher the song per se, but I actually got angry when the arrangement doubled in tempo. I blame Louis for ditching two incredible but slightly chubbier singers for a weaker singer who, every week, will be asked if he's washed his hair yet. I would love to have heard Paul Akister sing this song.
SONG CHOICE - 2
VOCAL - 4
PERFORMANCE -  5



ROUGH COPY
Rough Copy showed their passion
I wasn't sold on Rough copy initially, finding them a bit schmaltzy and try hard, but I was won over by this performance. Although not the strongest vocalists, the trio are surely the most passionate act in the competition, and this comes through on the big stage more than ever. Their harmonies are sometimes off, but the last one in their performance of "In The Air Tonight" was electric.
SONG CHOICE - 8
VOCAL - 7
PERFORMANCE -  10

- SUNDAY NIGHT -

I'm not a fan of the new 'Flashvote' on the Saturday night. It unnecessarily complicates the elimination process, and humiliates one contestant. In this case it was poor Shelley, although the revelation is not unexpected.

On the Sunday itself, we are 'treated' to the typically awkward group performance, followed by even more awkward performances from off-season pop stars, punctuated with quips and time-killing from Dermot, who has become a pro at hosting a show where very little content is stretched out over an hour. This sunday featured an appauling performance from Ellie Goulding, whose meek, flat live vocal was hilariously mullered by oppressively loud backing vocals. The icing on  the shite-cake was Goulding scrambling for a lifeline to convince Dermot she'd actually watched the show.

The bizarrest X Factor opening night booking ever, Cher's performance was thankfully downtempo, and thus relatively cringe-free, and even impressive at points. It was begging for one of the judges to go "what you need to remember is this woman is SIXTY EIGHT YEARS OLD!" It even managed to produce a rare moment of poignancy when Cher offered the advice to contestants "just don't believe the word 'no'", advice that inherently goes against everything the X Factor stands for.

The whole show could easily be whittled down to the 10 minute sing-off, it's the only thing the audience really cares about. In this first week, Shelley was an obvious choice for the bottom, an act who probably has very little left to show. On the plus side, she's probably already shown enough to get her a role in a West End show. It's an absolute crime that she was joined by Lorna in the bottom two, but given Lorna's anonymity, this is also not unexpected.

Shelley sang the best we'd ever heard her sing, her usual cartoon sassiness replaced with a fierceness as she belted out "One Night Only". This was a genuinely convincing "Serious Shelley", and it was a knockout that probably saved her place. When Lorna took to the stage, she once again showed off her range, but still couldn't dodge the odd pitchy warble. 

Shelley and Lorna were in the bottom two
As Nicole finally chose to save Shelley, securing Lorna's fate, you could tell up until 120 seconds prior, she had fully expected to send Shelley home. Say what you like about Shelley, Sunday night's performance proved she's a fighter. That's the best thing about 
the live shows - anyone can surprise you.

However, the unfortunate two were upstaged by a seemingly/definitely battered Mrs O, in probably the highlight of the otherwise tedious Sunday show. I wonder if someone had to remind her which of her acts left the next morning?


- Joe Copplestone, 14/10/13

Thursday, 10 October 2013

#POPDAR - Sam Sparro, Frank Hamilton & Lucy Spraggan

Sam Sparro - Quantum Physical Volume 1 EP


After flirting with camp chicago house on his underrated Pink Cloud EP, before returning to his disco, soul and funk roots on impressive second album Return To Paradise, new EP Quantum Physical Vol. 1 meets comfortably in the middle. The rolling electropop basslines of "Fascism" are particularly addictive.

FOR FANS OF: Frankmusik, The Presets, Disclosure

Frank Hamilton - Teenage Dirtbag



A surprisingly tender and textured acoustic cover of the teenage rock hit. Frank's voice shivers with meekness in this quintessentially British reinterpretation of the track.

FOR FANS OF: Bombay Bicycle Club, Ben Howard

Lucy Spraggan - Mountains



The X Factor probably think of Lucy as the "one that got away", after she was forced to drop out of the competition due to sickness, a competition she was comfortably leading I might add. Her debut album Join The Club is everything you could for from the intelligent and talented Spraggan, but "Mountains" is its crowning glory. First heard on the X Factor, as a result of a brave choice to sing an original song in the first week of live shows, "Mountains" is touching and inspiring lyrically, and soothing and majestic musically. Few X Factor alumni have needed to X Factor less to succeed; Lucy was the whole package from day 1.

FOR FANS OF:  Haim, Chloe Howl, Kate Nash

- Joe Copplestone, 10/10/13